Saturday, June 8, 2019

English Literature (no specific topic) Essay Example | Topics and Well Written Essays - 1000 words

English Literature (no specific topic) - Es suppose Exampleonversation and his impression of the other characters and their observable behavior his wife Fran, his friend Bob, Bobs wife Olla, their baby Harold and their exotic pet peacock Joey. However, a deeper study makes one realize that, just as ofttimes of Carvers story remains untold, Jacks narration leaves much unsaid to his audience. Jack is the antithesis of what one expects in a normally in effect(p) narrator openness and a frank discourse on the unfolding narrative. Although he is the narrator, Jack, as a character, is uncommunicative, acquiescent and lacking in initiative.Jacks character is enveloped by silence. His relationship with Fran is marred by his inability to communicate his feelings. The diversions of his married life, before the dinner, are confined to activities which require no talking notice television or going to the movies. This silence only intensifies after the visit to Buds. Although, as the narrato r, he says, I couldnt wait to be unsocial with Fran to tell her what I was feeling (page 264), he admits later that We dont talk about it. Whats to say? (page 265). As a narrator, he makes it unambiguous that he is often critical of Fran. He disagrees with her stand Why do we need other people? (Carver, page 252) as he values his association with Bob. But his habit of silence extends to his friend also and makes him careful with what I say to him (page 265). Although Frans tirade against the car race program on television, and her indubitable attention to the plaster-of-Paris teeth, are distasteful to him, he remains silent and does not reprimand her. Jack, the character, only admits I thought about those plastic teeth (page 259), whereas Jack, the narrator, provides a lurid description of the teeth. Likewise, the peacock makes a strong impression on him, but he confines himself to a laconic Goddamn ---There was nothing else to say (page 254). Here again, the narrator indulges i n effusive

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